VIDEO: Ebo Noah Appears at Sarkodie’s 2025 Rapperholic After Christmas Flood Fails

video ebo noah appears at sarkodie's 2025 rapperholic after christmas flood fails

Self-proclaimed Ghanaian visionary Ebo Noah has resurfaced in public following the failure of his predicted global flood on Christmas Day, December 25. On Boxing Day, December 26, he was spotted at Sarkodie’s Rapperholic concert in Accra, an appearance that has sparked widespread discussion across social media.

VIDEO: Ebo Noah Appears at Sarkodie’s 2025 Rapperholic After Christmas Flood Fails

Just hours after the prophesied deluge failed to materialize, Noah took the stage to introduce the rap superstar in a dramatic fashion, drawing cheers and gasps from the packed crowd. This bold move comes amid his recent claim that divine intervention had delayed the apocalyptic event.

Noah had earlier announced the postponement in a widely shared video, attributing it to answered prayers and the need to construct additional arks to accommodate more believers. The original prophecy, which involved building multiple wooden vessels inspired by the biblical story, went viral months ago, sparking debates, ridicule, and even reports of followers traveling from neighboring countries like Liberia in anticipation. With no flood occurring, social media erupted with reactions ranging from amusement to criticism.

The prophet’s guest spot at Rapperholic 2025, one of Ghana’s premier holiday events celebrating hip-hop culture, has fueled intense online discussions. Videos of Noah hyping up Sarkodie’s entrance quickly spread, with fans praising the unexpected crossover while skeptics questioned the timing and authenticity of his visions. Some highlighted the irony of his presence at a festive concert on the very day the world was supposedly meant to end.

This appearance marks Noah’s re-emergence into mainstream entertainment circles, blending religious controversy with celebrity culture. As Ghanaians reflect on the non-event, his actions continue to highlight the intersection of faith, social media virality, and public spectacle in modern Ghanaian society.

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